It's what's inside that counts.

It's what's inside that counts.
30" x 24" — Oil/Canvas — 2010
• Sold

This is the third piece of three that will be showing in the group show 40 & Under at the Elliott Fouts Gallery from August 7 - September 3, 2010.

I've had these gumball machines for years, sitting in the studio. Initially I bought only a small amount of gum because, well, it's intimidating thinking of painting them full. It's a small form of torture for my kids. Gumball machines high on a shelf, being told "you can't eat dad's work". So the gum became stale and dusty.

Until I decided to paint this piece and I needed more gum to fill the small blue machine. I took the machines down from the shelf and since I now had a surplus of gum and a surplus of pennies, I let the kids at it. They kept returning to the studio, within minutes of their last purchase, to let me know that they either dropped their gum or it ran out of flavor. Or that they got two purple ones in a row and were hoping for an orange so, here we go again.

Upcoming Group Show - "40 & Under"

I will have three new paintings in the August group show at the Elliott Fouts Gallery. The show, entitled 40 & Under, is showcasing artists who are, well, either 40-years-old or younger. I'm really excited to have some paintings hanging in the show.

Below are two of the three, the third piece I'll share a little closer to August.


Soda Pop Bottles
18" x 14" — Oil/Canvas — 2010
• Sold (Collection of J.Crew)


Pencils, Crayons, & Pen
18" x 14" — Oil/Canvas — 2010
• Sold

Return to the Studio

I had a great time in California. The gallery hosts fantastic receptions with live music and friendly faces all around. The best part, as the artist, is to meet with people who collect your paintings. Cynthia, Michelle and Elliott at the Elliott Fouts Gallery are as thrilled with the results as I am, I'm sure. I really am fortunate to have had a successful first official solo exhibition.

But now my break is over and this morning I was back at it in the studio with headphones in place, paint squeezed out and daunting canvas staring me in the face.